August 19, 2022

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Pick of the Day: “Memory Box”


Family secrets and techniques all the time appear to get spilled throughout the holidays, don’t they? They positively do in “Memory Box,” Joana Hadjithomas’ semi-autobiographical drama centering three generations of Lebanese-Canadian ladies coming to phrases with their cultural and familial historical past.

It’s Christmas Eve in Montreal and Alex (Paloma Vauthier) is chatting along with her grandmother, Téta (Clémence Sabbagh), as she waits for her mom, Maia (Rim Turki), to get dwelling. When an surprising bundle is delivered, Téta acknowledges the return tackle and insists they cover it till after the vacations — she’s certain that no matter’s inside will upset Maia. But the deception doesn’t final for lengthy. Maia finds the field, which incorporates journals, pictures, letters, and tapes from her teen years. As Téta predicted, Maia is shaken on the prospect of coming face-to-face along with her previous; Alex, in the meantime, is curious. Against her mom’s specific needs, she digs by way of the reminiscence field in secret, attending to know Maia’s youthful self.

This is the place “Memory Box” proves itself to be a significant filmmaking feat, a cinematic scrapbook of types. Alex’s journey into her mom’s previous is delivered to life with progressive multi-media strategies. {A photograph} of teenage Maia (Manal Issa) and her pals slowly begins to maneuver, like a flip guide, after which instantly we’re with Maia in ’80s Lebanon, as she comes of age towards the backdrop of the civil battle and the private tragedy that accompanies it. The recorded messages younger Maia sends to a good friend overseas present perception into her inner life; this narration serves because the movie’s throughline, connecting Maia’s adolescence to Alex’s.

Similar to a few different Picks of the Day I’ve lined this yr, “Alma’s Rainbow” and the second season of “Russian Doll,” “Memory Box” acknowledges how advanced the bond between moms and daughters will be, and shows a large amount of empathy and style towards its characters. Maia isn’t deliberately making an attempt to close Alex out of her life; she views the bundle as Pandora’s Box — if she opens it, will she be capable of deal with the flood of feelings and recollections it’ll certainly encourage? Meanwhile, Alex isn’t making an attempt to violate her mom’s privateness; she’s trying to grasp a lady who has by no means actually opened as much as her, and study her personal roots. And Téta doesn’t see herself as meddling or overstepping; she believes she is defending her daughter and granddaughter, and is making the very best of their vacation collectively.

None of those three foremost characters are mistaken or proper — they’re simply doing their greatest, even when they appear misguided at occasions. Maia, Alex, and Téta lie, refuse to speak, keep away from arduous conversations, and can be fully recognizable to anybody who has a household. The recollections of the Lebanese civil battle and the experiences of Lebanon-to-Canada migration are very particular, however the presence of household secrets and techniques feels fairly common. Next time a bombshell is dropped at Christmas dinner, I’ll attempt to preserve “Memory Box” in thoughts — and keep in mind that everybody has their causes for sharing or not sharing components of themselves — earlier than I freak out.

“Memory Box” is now playing at Film Forum in NYC. Hadjithomas directed with Khalil Joreige, and wrote the script with Joreige and Gaëlle Macé.







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